The sequence is a remarkable achievement, and Cooper's gifts for description and characterization provide additional pleasure to novels already replete with intellectual enjoyment.
The five novels in it are rich with symbolism and poetic passages. The Dark Is Rising , perhaps the best single book of the series, certainly rivals and sometimes surpasses the work of the major fantasy writers--with whose work it is frequently compared.
Amelia A. Rutledge says that the series "integrates the traditional lore of the British Isles with modern concerns. Her work, although commercially designated for a younger audience, exemplifies sophisticated mythopoeic writing not limited to that age group and is one of the major contributions to Arthurian fantasy of the s. Professor Michael D. Drout argues that Cooper makes greater "use of Anglo-Saxon source materials" than other critics have identified: "Cooper's uses of Anglo-Saxon sources are allusions that fit into a schema of history rather than in the words of one reviewer being merely tossed "pell-mell" into the mythical pot It is Cooper's Anglo-Saxonism, I argue, which generates the notions of British national identity explicated in the novels, notions that contradict the author's overt political stance.
The writing is robust, but noticeably better out of human time than at the Stanton hearth: as if the author's style, too, had experienced a salutary, magical translation The fantastic style is virile and, for all its paraphernalia, spare. Susan Cooper's vocabulary is athletic; the complications are dense.
Her book seems to have been prepared for a special small age group: those who can read with fluency and attention, but who haven't yet been afflicted by adolescent cynicism. Following the successful film adaptations of other fantasy classics, it was announced in that the Dark Is Rising series was being developed as a major motion picture.
John Hodge wrote the screenplay and the film was directed by David L. Cunningham and produced by Marc E.
- The Washington Post
Filming began in February in Bucharest , Romania. The film was released on 5 October , in the United States and the U. It was not successful. Screenwriter Hodge made substantial changes to the novel's plot, tone, and characters. For example, to differentiate him from Harry Potter , the film version of Will Stanton is a to year-old [b] American living in Britain. Hodge also felt that the "lyrical, poetic, kaleidoscopic fashion" of the book could not be filmed and felt compelled to add action for Will where "he doesn't actually do very much.
Cooper was disappointed by changes in the screenplay from the book and requested that some be undone. For example, she considers it crucial that Will is only 11 because that is before puberty. From Wikipedia, the free encyclopedia. Series of fantasy novels for children by Susan Cooper. British omnibus edition front cover .
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Main article: Over Sea, Under Stone. Main article: The Dark is Rising.
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Main article: The Grey King. This section does not cite any sources. December Learn how and when to remove this template message. Children's literature portal Speculative fiction portal. In the Hollywood version he is 13 to 14 years old and American in order to help distinguish him from Harry Potter , a later creation but earlier international film success who learns on his eleventh birthday that he is a wizard. Retrieved Select a title to see its linked publication history and general information. Select a particular edition title for more data at that level, such as a front cover image or linked contents.
Personal Data Collected
Association for Library Service to Children. In Caroline C. Hunt ed. Dictionary of Literary Biography Vol. Detroit: Gale. This is the second page of the final chapter. Retrieved 19 August A Fuse 8 Production. School Library Journal blog. In Laura Standley Berger ed.
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Twentieth-Century Young Adult Writers. Detroit: St. James Press. The Junior Bookshelf. April Retrieved 5 August In Sandra L. Beckett ed. Reflections of Change: Children's Literature Since Westport, Conn. The Encyclopedia of Science Fiction. In David Pringle ed. James Guide to Fantasy Writers. New York: St. In Darren Harris-Fain ed. The Lion and the Unicorn. Keith 22 April Retrieved 11 October All Things Considered. Radio broadcast narrated by Adler incorporating material from interviews with Susan Cooper and John Hodge.
Audio transcript at npr. Unfortunately, Will learns he can't fly, a power he wanted. Will returns to The Great Hall and learns the form each sign will take. As the sign-seeker, Will travels through time to find the next four signs. The Rider enlists a mysterious figure to help him get the signs from Will.
argo-karaganda.kz/scripts/dobemyq/4334.php When Will's brother invites Maggie to their home, she reveals some of her powers to Will. Will reveals his affections for her, saying he felt an instant connection with her. He tells her he has been thinking of her constantly. The Rider also tricks Will's older brother Max, using his magic to partially control him.
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The spell over Max is finally broken when Will uses his great strength to give Max a concussion. By the fifth day, The Dark that The Rider commands has now gained tremendous power and begins to attack the village with a terrible blizzard. Will locates the fifth sign but without the sixth sign, the Dark continues to rise. Maggie is revealed to be the mysterious witch helping the Rider in exchange for eternal youth.
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